Description
| Weight | |
|---|---|
| Without batteries & media | 709g / 25oz. |
| Dimensions (W x H x D mm) | 214 x 127 45mm |
| Construction | Polycarbonate ABS |
| Mounting points | 1/4”-20 screw mount. 1x top and 1x bottom |
| Power | |
|---|---|
| Operating power | 10 – 33W |
| Compatible batteries | Atomos NP-F series and supporting accessories |
| Input voltage (battery) | 6.2V to 16.8V |
| Battery time (based on 2 x 7.4V) | 5200mAh – up to 1.5hrs (monitor & record 4K 30p) |
| 7800mAh – up to 2.2hrs (monitor & record 4K 30p) | |
| DC In | 1 x DC in (6.2 – 16.8V) |
| Touchscreen | |
|---|---|
| Size | 7.2” |
| Resolution | 1920 x 1280 |
| PPI | 325 |
| Aspect ratio | 16:9 native |
| Color Gamut | Up to Wide color gamut (105% DCI-P3) |
| Look up table (LUT) support | 3D LUT (.cube format) |
| Anamorphic de-squeeze | 2x, 1.5x, 1.33x |
| Technology | Dynamic AtomHDR zoned backlight IPS LCD |
| Dynamic AtomHDR Technology | |
|---|---|
| Backlight | Direct LED |
| Zones | 360 direct backlight individual LEDs |
| LEDs | Wide Color Calibrated D65 or D95 |
| Bit depth | 10-bit (8+2 FRC) |
| Color | DCI-P3 105% |
| Brightness | 3000nits (+/- 10%) |
| Control | On the fly real-time brightness analysis for LED control |
| HDR Conversion | Log/RAW to HLG or PQ |
| HDR Monitoring Technology | |
|---|---|
| Gamma | Sony SLog / SLog2 / SLog3 Canon CLog / CLog2 / Clog3 ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600 Panasonic Vlog JVC JLog1 RED Log3G10 / RED LogFilm FujiFilm F-log Nikon N-Log PQ10k HLG |
| Gamut | Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / DCI P3 / DCI P3+ Nikon Bt2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 / BT.2020 JVC RED WideGamut / RED DragonColor / DragonColor2 / RED Color2 / RED Color3 / RED Color4 / |
| Video Input/Loop Out | |
|---|---|
| HDMI | HDMI 1 x HDMI (2.0) |
| SDI | Quad Link 4 x 3G/6G SDI*, 4 x 3G-SDI, 2x 12G single link SDI |
| Signal | Uncompressed true 10-bit or 8-bit 422 (camera dependent) |
| Genlock | Genlock input signal and output signal |
| Video Output (Play Out) | |
|---|---|
| HDMI | 1 x HDMI (2.0) |
| SDI | 2x 4K-SDI 12G or HD-SDI 3G/6G |
| Signal | Uncompressed true 10-bit or 8-bit 422 (playback file dependent) |
| Video Signal Conversion | |
|---|---|
| HDMI to SDI | – |
| SDI to HDMI | – |
| Audio In/Out (48kHz PCM Audio) | |
|---|---|
| HDMI | 2 or 8ch 24-bit, camera dependent |
| SDI | 12ch 48kHz 24-bit |
| Audio | 2ch balanced XLR analogue in/out Dynamic range >90dB Max signal level +24dBu Max analogue gain +52dB 48V Phantom Power for Mic |
| Headphone out | 3.5mm 2ch. |
| Supported Codecs & Frame Rates (Record & Playback) | |
|---|---|
| Raw to: | ProRes RAW ProRes CinemaDNG (CDNG up to 30p only) Avid DNxHD |
| Sony^^ FS700, FS-5, FS-7, FS-7MkII |
4K DCI; 24/25/30/50/60p 4K UHD; not supported in camera 2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera |
| Canon C300MKII/C500 CDNG |
4K DCI; 24/25/30p 4K UHD; 24/25/30p 2K; not supported in camera 1080; not supported in camera |
| Panasonic VaricamLT, EVA1 |
5.7K DCI; 24/25/30p (EVA1 ProRes RAW only) 4K DCI; 24/25/30/50/60p 4K UHD; 24/25/30/50/60p 2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera |
| Supported base resolution & FPS from cameras | 4K DCI: 23.98/29.9/59.94p 4K UHD: 23.98/29.9/59.94p 2K DCI: 23.98/29.9/59.94p 1080p: 23.98/29.9/59.94p |
| Supported FPS & resolution from gaming consoles and graphic cards | 1080p; 24/25/30/50/60/100/120 |
| Onboard Processing | |
|---|---|
| Pulldown removal | 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown) |
| 4K UHD downscale for HD monitoring | Yes – Loop-out and playback (Not available in RAW) |
| Remote Start/Stop | |
|---|---|
| HDMI | Auto HDMI Trigger Supported Protocols – Dolby Vision, Canon, Sony, Atomos Open Standard |
| SDI | SDI trigger camera selectable |
| Other | LANC control – Slave |
| Playback | |
|---|---|
| Playlist / Genlock / LTC | Yes / Yes / Yes |
| CDNG (Recorded content) | No support |
| ProRes (Recorded content) | All recorded files can playback. Playback in slow motion >= 100fps. |
| DNxHR / DNxHD (recorded content) | All recorded files can playback. Playback in slow motion >= 100fps. |
| Recording | |
|---|---|
| Pre-roll record | Yes (HD 8s, 4K 2s) |
| Custom timelapse | Yes* |
| Supported media | 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives |
| Master caddy case | Master Caddy II (included) 75mm x 105mm x 12mm |
| Master caddy dock | 2.5” SATA to USB 2.0/3.0 |
| Supported applications | Final Cut Pro / Media Composer / Premiere Pro / After Effects / EDIUS / Vegas Pro / Lightworks / Autodesk Smoke |
| What’s In The Box | |
|---|---|
| Accessories included | Shogun 7 unit, Master Caddy II x 1, 12V-3A AC power supply, Carry Case Quick Start guide |
| Optional extras | |
| Optional extras | Accessory Kit: 2 x battery, 1 x charger, 1 x power supply, HPRC case, USB dock, control cable, Dtap cable, Master Caddy x 4, Power supply, Sun hood Power Kit: 2 x battery, 1 x charger, 1 x power supply Other: Atomos HDMI cable, Breakout XLR cable, X-Rite i1DisplayPro calibration |
All specifications correct when published, subject to E&OE.
24/30/60 frame rates also means 23.98/29.97/59.94 frame rates for all resolution
*Available in future firmware updates
^^ Optional unit (XDCA-FS7) needed for Raw output.”
